Barrel firing, marian williams pottery, barrel fired pottery

How To Prepare Your Pots For Barrel Firing

Barrel firing

I’ll be doing a barrel fire soon- when the burn ban lifts!

But I’m getting the pots ready.

Here’s a video on how I do it:

To prepare pots for barrel firing, each vessel must be sanded, terra sigillata applied, then burnished to a high shine.

I use Marcia Selsor’s recipe for Terra Sigillata:

Fill a liter plastic bottle 3/4 full of water.

Add 250 grams of ball clay.

Put lid on bottle and shake vigorously.

Add about 1 teaspoon of sodium silicate to bottle.

Shake vigorously again.

Let bottle sit for an hour.

Put bottle in a container wider than the bottle.

Put a slit in bottle just above dark portion of contents and squeeze to get the liquid terra sigilatta out.

Put terra sigillata in covered container.

It’s so easy!!

I’m available for workshops- just let me know at marianhwilliams@mac.com

Peace out, potters!

Marian

marian williams pottery

San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics

The Magic of Clay and Fire: Japanese Contemporary Ceramics Exhibit

I recently visited the The Magic of Clay and Fire: Japanese Contemporary Ceramics Exhibit at the San Antonio Museum of Art. It was an absolutely impeccable collection of beautiful ceramics.

Magic of fire and clay

San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics
The exhibit was small, but perfect, in a very small space, lit so well for the focus on the ceramic pieces – giving each piece the limelight as you walked around the room.

San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics

San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics

San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics
Each piece was housed in plexiglass, but you could view each piece up close and personal.
San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics
This small vessel may have been my favorite.
San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics
I really wish you could have seen it in person with me! My pics do not do it justice!
San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics
Wakao Toshisada (b. 1932), Ceramic Box with Autumn Flowers Design, 2014, Stoneware with resist-applied shino glaze over iron slip, Carol and Jeffrey Horvitz Collection, L.2016.1.4 Photo by Peggy Tenison
San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics
Imai Hyoe

San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics

San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics
Hoshino Sei
San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics
Katsumata Chieko

San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics
Kato Tsubusa

San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics

San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics
So beautiful!
San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics
Incredible.
San Antonio Museum of Art, The Magic of Clay and Fire: Japanese Contemporary Ceramics
Love this oribe glaze.

Hope you can visit the exhibit if you are in the area, if not, then hope you enjoy this review of the exhibit.

Peace out, potters!

marian williams pottery

Pottery tools

Pottery Tools – I Have An Obsession!

When I left Texas for Australia 14 years ago, I thought it was for a few months visit. Texas Pottery Studio

Little did I know that I’d get a job as a professor at Bond University and that we would make a life in Australia.  So I left my pottery studio in Texas as though I’d be right back!!!

Since I’m in Texas for a while, I decided to clean up my pottery tools – shameful to leave them like this!!!

Pottery tools
Put them on the lawn and took a water hose to them!!!

But what is crazy is how many pottery tools I have!!! It’s quite amazing! And I’ve got even more in Australia…so why the obsession!?

I actually don’t know, but perhaps I thought that the tool would make me a better potter.  Not so, but they don’t hurt!  Also, it’s so fun to try/play with a new tool and see the results.

I found  a tool amongst all the others that stood out…I even wondered how’s I’ve managed to survive without it!!

I cant remember where I got it or if I made it…but it’s awesome!!!

Scoring needles on one end, mitre cutting wire on the other.
gas kiln, fibre-lined gas kiln

How To Fire A Fibre-lined Gas Kiln

I’ve posted in the past about how I fire my gas kiln.  There are actually alot of posts – just “search” on my website for “gas kilns” and all the previous posts will be listed or just Click Here.

I’ve fired my kilns a lot lately and have had a few questions, so thought I’d do an update on how to fire a fibre-lined gas kiln.

I’d always dreamed of having my own gas kiln.  In the states, it’s pretty improbable- very expensive – got to have a site, etc.  So when I landed in a great space in Australia and the opportunity to do clay full-time, I started looking for a used gas kiln.

Fortunately, old fibre-lined gas kilns are fairly available in Australia.  I ended up buying 2 – one for $2000 (the lady was going into assisted living and literally “gave” me her studio – wheel, tools, chemicals, clay and the kiln) and the second one for $150.00.  I was extremely lucky.

gas kiln, fibre-lined gas kiln
My first gas kiln, Thelma.

Both kilns are great!  A little worse for wear, but still highly usable.  The older black one is named Thelma, and the shinier, newer one is named Louise.  They are two hot bitches that like to go fast!

Fortunately for me, they’ve allowed me to figure out their idiosyncracies and let me fire them well.

When I got these kilns, I sought advice, talked to people, looked on the internet and hoped for a step-by-step instruction manual on how to fire a gas kiln.  None existed and everyone said, “Each kiln fires differently.  There are no exact instructions.”

Well that is just hunky dorky…… Here’s a post on my first firing:  Click Here.

So, I set about firing it, trying, learning, continued to ask lots of questions and fired it some more.  When I say “it”, I’m referring to Thelma as I didn’t even fire Louise for at least a year.

As a result of my experience, I thought it might be helpful to some that are trying to learn to fire a gas kiln if I passed along some information about the process.

Here are some insights (in no particular order):

Propane Tanks-I keep two large propane tanks ready for firing.  As one is depleted, I have it filled, but try to start out on the “almost empty” tank to drain it down as much as possible.  Funny, I can almost get to 1000c on the dregs of an almost “empty” tank.  If you have two tanks, then if a tank freezes (ices) up, then you can easily switch tanks and keep firing.

Meter at the tank-I generally start firing at 35kpa on the meter.  For reduction on Thelma, I have to up that to 100kpa to get her into heavy reduction (more on reduction later).

Burners – my kilns each have two burners.  I light one burner in the beginning of the firing with a propane lighter.  I keep the door to the kiln open until I’ve lit the kiln, then I close it.  I light the second burner at 600c.  In order to “see” the burners on Thelma, it is necessary to place a mirror under the kiln -thus allowing full view of burners without having to lay on the floor (uncomfortable!).

 

Pyrometers – I use a digital pyrometer in each kiln to ensure that I can track the temperature.

pyrometer
Pyrometer Sent By Liz Williams From The USA!!

Cones – I place a cone pack of 3/4 relevant cones in front of each bung hole and one on the lowest shelf to make sure I’m firing evenly.  I make a bunch of cone packs, using cones 8,9, 10, way ahead of time to make sure they don’t explode in the firing.

Bungs – my kilns came with fire brick cones, but they have broken over time.  So now I use use a rolled up piece of fibre – works great!  I put bungs in at 600c.

Broken Peep/Bung Hole Plug
Fibre Kiln Port/Bung Hole Plug
fiber bung
Fibre Kiln Port/Bung Hole Plug
Kit Adams-Clayways-Austin, Texas

Reduction – It’s easy.  For copper reds, start redux at 750c and keep it in redux til the end of the firing.  To put your kiln in redux, you may need to up the gas output at the tank to 70-100kpa (I do).  Then I screw down the burner leaving only about 1/4 inch opening on each burner.  I also put fire bricks on each flu closing it to 1/2. Watch closely and if you see any black smoke, open up the burners or the flu til the smoke stops.  Black smoke is bad – indicates that carbon coring can occur – very bad for your pots!  Check to make sure that your kiln is in redux by pulling out the lower bung and seeing if a flame is coming out of the bung – you want a 3-4 inch flame.  You probably won’t see flames out of the top of the kiln (out of the flu) until you’ve passed 1000c.  Reduction can slow the kiln down, you have to babysit it sometimes.  If it stalls, I try everything and still keep it in redux – open the flu a bit, open the burners a bit, change the gas at the tank, check if the tank is frozen (if it is, you can hose it down with water to unfreeze it).

Oxidation – It’s really easy.  Fire the kiln until it reaches the desired temperature and the cones have dropped.  My problem is keeping the kiln out of reduction.  To do this, I have to slow down the tanks, the gas coming in and the burners.  But hopefully, this won’t be a problem for you.  Here is what a glaze that should be fired in oxidation looks like if it reduces – interesting, but no terribly pretty.

Closing up your kiln – When your kiln reaches temperature (this will vary for each kiln.  One of mine reaches cone 10 at 1240. The other one goes to 1260 to reach cone 10), turn the gas off at the tanks.  Then close off the burners with fiber or the doors for each burner port.  Put a brick over the flu outlet to completely cover it.

That’s it!  Go home and go to bed.

Be patient!  Don’t open the kiln too early.  I may “crack” the door at 200c, but you’re risking cracks if you unload too early.

Hope this has proved helpful in some way.  Let me know if you have any questions!

Good firing to you all!

Marian

cobalt cascade tumblers, cone 10 reduction fired, gas firing, tumblers, cobalt glaze, drippy glaze

Cobalt Cascade Tumblers!

Sometimes when I glaze, I just inadvertently try something not tried before – no test tiles – just to see what happens.

cobalt cascade tumblers, cone 10 reduction fired, gas firing, tumblers, cobalt glaze, drippy glaze
Three Cobalt Cascade Tumblers

In this case, a little magic happened!  But….

cobalt cascade tumblers, cone 10 reduction fired, gas firing, tumblers, cobalt glaze, drippy glaze
Tumbling Tumblers.
cobalt cascade tumblers, cone 10 reduction fired, gas firing, tumblers, cobalt glaze, drippy glaze
Here’s what the inside and base of the tumblers look like.
cobalt cascade tumblers, cone 10 reduction fired, gas firing, tumblers, cobalt glaze, drippy glaze
Cobalt Cascade Tumbler #1

The altered stoneware cups have a beautiful pearl glaze as the backdrop for the shimmering cascade of blues, ending with the cobalt drips.

cobalt cascade tumblers, cone 10 reduction fired, gas firing, tumblers, cobalt glaze, drippy glaze
Cobalt Cascade Tumbler 3@

Each one is unique and one-of-a-kind.

cobalt cascade tumblers, cone 10 reduction fired, gas firing, tumblers, cobalt glaze, drippy glaze
Cobalt Cascade Tumbler #3

You’ll love holding and drinking from these cups!

Marian

Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes

How To Make Your Own Brushes – Brush Making Workshop

Making your own brushes can be such fun!  It is inexpensive, easy and really a creative endeavour.

I’ve written about making brushes and how I gather roadkill – Click Here to read.

Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
These are brushes that I have previously made from roadkill in Texas – fox tail, raccoon tail, wild boar, deer, etc.

Handmade brushes can be strictly functional or can be more artistic in design.

Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
These are examples of more artistic brushes and dippers for use in glazing pottery.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
This photo shows the curvy, curvy vine from which I hung these lovely creations.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
The addition of decoration yarn, silk or fabric can make these brushes extra special.

I decided to host a Brush Making Workshop to teach others how to make brushes, but also as a collaborative effort to make brushes for ceramics.

Making your own brushes can be such fun!
Brush handles can be made from bamboo, but also from any other “stick”.
Making your own brushes can be such fun!
Lots of tools and necessary equipment to make the brushes were provided.
Making your own brushes can be such fun!
A box of op shop Barbies provided some much needed “hair/fur” as roadkill in Australia was in short supply.

It was really amazing how creative and hard-working everyone was –

Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Jo and Kym made some very creative brushes.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Terese and Vicci keeping it busy.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
This mother-daughter combo, Renee and Christine, smashed it!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Claire’s creativity was unbounded!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Tara and Diane worked dilligently (and chatted!).
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Christine enjoying the process.

Everyone worked diligently on their brush creations – individually and cooperatively.

Making your own brushes can be such fun!
Terese and Vicci collaborating-Tara and Diane in the background.
Making your own brushes can be such fun!
Anna working hard.
Making your own brushes can be such fun!
Lucy and Renee creating!

Their creativity was boundless!

A 4 – wheel drive across the property took us to the bamboo grove and to other areas that had plenty of “brush handle” possibilities.

Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Loaded in the back of the ute for a ride to the bamboo grove.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Some got to ride inside!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Loaded!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Terese cutting bamboo for brushes.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Jo, Christine, and Lucy gathering bamboo.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Jo, Tara and Christine looking for brush handle possibilities.
Kym foraging!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Our HUGE bamboo grove – and Claire looking on.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Our foraging walk.

Back at the barn, everyone got stuck right back into making brushes!

Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Working.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Anna on the drill – one always needs to know how to use tools!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Kym!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Terese concentrating on her brush making.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Creativity PLUS!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Terese drilling it!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Jo thinking it through.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Claire gained confidence and expertise in using a Dremel tool – so cool!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
The yarn, scarf, bead table was filled with decorative items for the brushes.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Anna’s brushes were made with fur/hair from her dog’s bum!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Jo got very creative and designed some brushes from local fauna – amazing.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Diane made brushes from a lock of her own hair.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Vicci creating!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Lucy and Christine creating!
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Samantha Scout enjoying being petted and feed by the girls!

The final results of everyone’s day of brush making were pretty incredible.  Here they are!

Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Diane’s brushes.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Tara’s brushes with ceramic handles.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Jo’s brushes.
Jo’s brushes.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Anna’s brushes.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Renee’s brushes.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Lucy’s brushes.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Christine’s brushes.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Terese’s brushes.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Vicci’s brushes.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Kym’s brushes.
Brush making Workshop, roadkill brushes, brushes for ceramics, bamboo brushes, how to make brushes
Claire’s feather brush.

I don’t think anyone will be able to look at sticks without thinking “brushes” or “roadkill” and not think, “STOP”.  It’s an addictive little sport!

It was a great workshop – very laid back and cruisy – but also very productive!

It will be interesting to see what everyone does with their brushes and if they make more!

I, personally, can’t wait to start mark making on my pots!

Happy potting to you all,

Marian

copper red glaze, cone 10 reduction, high fire glazes,

I Need Colour!

recycled clay, rustic tableware, tableware, white tableware
This is a table setting I made from recycled clay and I used a white glaze.

Amidst all the ceramics in the current trend of whites, earth tones, rustic-looking pottery, one doesn’t find a great deal of colour.  Is black a colour? Ok, there’s lots of black and greys as well.

But I need colour.

A recent video was posted about Jim Carrey’s painting. It’s titled, “I Needed Color”.  I NEED colour too!!!

Sometimes I feel the need to join the flocks of ceramicists making basic white/black/grey work- as it’s highly marketable and very “in trend”.  I can do it.

But I always end up longing for a myriad of colour in my work.

copper red glaze, cone 10 reduction, high fire glazes,
Copper Red! Plus about 4 other glazes – Colour!

More colourful glazes!

copper red glaze, cone 10 reduction, high fire glazes,

copper red glaze, cone 10 reduction, high fire glazes,

copper red glaze, cone 10 reduction, high fire glazes,

So what do you reckon?  Too much?

A lady recently told me that she didn’t like to serve or eat food on copper red…???

Maybe I’ll be “trendy” someday when people get tired of the neural tones!

Colour me “outta here”!

Marian

 

 

 

dark stoneware, drippy glazes, rustic rainbow drip tumblers

Rustic Rainbow Drip Tumblers

dark stoneware, drippy glazes, rustic rainbow drip tumblers
Rustic Rainbow Drip Tumblers

I’ve never aspired to be a production potter and even when I do try to make a dozen of the same shape, I seldom succeed.

These tumblers are a perfect example!  I tried a new dark stoneware – very groggy and super horrible on your hands when throwing.  So this will probably be the last of these.

dark stoneware, drippy glazes, rustic rainbow drip tumblers
Best Drip EVER!

But I do really LOVE the look.  I left the exterior raw – giving the user a very tactile and lovely experience.  The interior is glazed for food safety.  But the lip and the drip are the stars of the show!  Three different glazes are used to get this effect.

dark stoneware, drippy glazes, rustic rainbow drip tumblers
Sweet shape – fits the hand perfectly.

I may keep them all myself, but as a potter that is sort of a curse!  We have too many pots!  So I’ve decided to let you have a chance at getting all or one for yourself.

dark stoneware, drippy glazes, rustic rainbow drip tumblers
Look at that porcelain clay swirl!

They are in my online shop now:  Click Here.

dark stoneware, drippy glazes, rustic rainbow drip tumblers
Throwing lines show on this one.

To me rainbows are a promise of good things to come, so the tumblers are my way of telling you that things are gonna be great!

dark stoneware, drippy glazes, rustic rainbow drip tumblers
Smallest of the five with a sweet little drip.

Rainbows to you all!

Marian

Mud Trail 2017, australian ceramics open studio 2017, australian ceramiics, marian williams pottery

Mud Trail Open Studios: Art On A Box And Tulipieres

log shelves, Mud Trail 2017, australian ceramics open studio 2017, australian ceramiics, marian williams pottery, tara dyson-holland
This is one of shelves that Ronnie built with logs and glass.

This year’s Mud Trail aka Northern Rivers Open Studios aka Australian Ceramics Open Studios has come and gone.  It was a great success, lots of fun, and ultimately a good experience.

We decided on a theme of Food and Flowers.  Tara is a florist (her day job!) so her ability to arrange flowers was apparent- it looked so professional!

reclaimed clay, dinner set, Mud Trail 2017, australian ceramics open studio 2017, australian ceramiics, marian williams pottery, tara dyson-holland
Lots of ceramics and lots of flowers!

We made lots of vessels for displaying flowers and plants and this definitely made me move to a new style of work.  I made a lot of tulipieres – Originally made by Delft – such fun!

Delft Tulipiere

I made a version of this piece:

tulipiere, Mud Trail 2017, australian ceramics open studio 2017, australian ceramiics, marian williams pottery, tara dyson-holland
This was my biggest and best tulipiere. Thanks Lyndall for the great photo. It looks even better with flowers!

Tara filled it with flowers and it was just spectacular!

tulipiere, Mud Trail 2017, australian ceramics open studio 2017, australian ceramiics, marian williams pottery, tara dyson-holland
Tulipiere with flowers.

Here’s a pictorial review of the weekend.

I have to say one of the highlights for me was working with Tara Dyson-Holland, a friend/artist/ceramic artist.

Mud Trail 2017, australian ceramics open studio 2017, australian ceramiics, marian williams pottery, tara dyson-holland
Tara Dyson-Holland checking on her fired pieces.

Her studio was recently destroyed in the Murwillumbah Flood of 2017- completely under water.  She lost all of her work…her painting, her ceramics, the last 3 years of her creative life.

In an effort to heal and get past this horrible ordeal, Tara started making art on discarded boxes – 100 boxes in 100 days.

reclaimed clay, dinner set, Mud Trail 2017, australian ceramics open studio 2017, australian ceramiics, marian williams pottery, tara dyson-holland
People could choose a box that Tara had decorated to put their purchase in.

As a result, she placed her boxes as an art installation at my studio, with a written explanation of the process, her thoughts.

reclaimed clay, dinner set, Mud Trail 2017, australian ceramics open studio 2017, australian ceramiics, marian williams pottery, tara dyson-holland
100 Boxes in a 100 Days – Art Installation by Tara Dyson-Holland.

When someone purchased a piece of ceramics, they were “gifted” one of Tara’s painted boxes to house their piece.  Everyone loved it!

reclaimed clay, dinner set, Mud Trail 2017, australian ceramics open studio 2017, australian ceramiics, marian williams pottery, tara dyson-holland
A beautiful piece in a hand decorated box!

And one of the best parts was hearing Tara say that talking with people at the Open Studio weekend made her realize that “she’s over it” … she has healed and has now moved past her loss.

Art is the great healer.  Art is great therapy.  Art is life.  Or is it that life is Art?  It’s all the same to me.

Peace out,

Marian

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